Among the matters still to be khilaf among scholars' music is legal. The scholars' since ancient times has tried to analyze this problem based on the understanding that there are evidences standardized with uslub istinbat Hokum sebagimana listed in the statutes of Islamic law. Music continues to be one issue which is difficult to judge decided. Scholars and jurists' has berijtihad in determining their legal and terbahagia into two groups; those who require and those who are banned. Each has its own arguments in understanding the evidences related to this matter.
In real time has been experiencing a rapid growth compared with the beginning of Islamic era and subsequent periods in the greatness of Islam as a major world power. If the first, normal rhythm can not be heard unless the councils or clubs music and singing. First tools only playing music and iramanya only heard by groups such as wine drinkers-drinkers and men who are classified as members pondan Fasiq and disobedience. Among men who have the perfect nature kelelakian considered 'embarrassment when playing or listening to music rhythm. Now, everything has changed. Modern material world witnessed a remarkable revolution. Music can now be heard in anywhere. Not only the TV or radio, modern human beings can hear various types of music, no hassles attend the meeting or club music. Men are always hearing or tidal wave nasyid duf (small tambourine) or through cassettes and similar dendang is biasaa things that do not humiliate and overthrow dignity. [i] music-music that is heard through TV or radio to be used for programs such news, events or migration from one plan to another plan that is not the real cause 'embarrassment to the listener at the present time.
According to waqi 'changing customs and uruf or Muslims who converted, writers try peel back the real question becomes a question mark most Muslims in the present. In this short pamphlet writers will try to present the views of scholars' past and present and try to make conclusions at the end of this debate.
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